Dammit Jen, playing with my feels like that
I was trying to be all sad, but nooooooo
Deanatay
Actually, it occurs to me that Settlers may become associated with sexual violence in Joyce’s mind. That means it’s a trigger for her, now, so she cannot play it without thinking about what happened that night. That IS a tragedy.
Ah, the good ole days when women were commodities instead of people…
(YES IT’S SARCASM!)
Deanatay
We REALLY need a sarcasm indicator for when people are typing sarcastically.
(s) I mean, it’s SO nice when people think I’m taking myself seriously. (/s)
Gamaran Sepudomyn
There is a sarcasm mark in existence, actually. It just isn’t on the keyboard.
Gamaran Sepudomyn
A normal keyboard, that is.
Today'sTheDay
I thought the mark was “(!)” after the sarcastic phrase. It seems to be on subtitles for films and TV, anyway.
Gank
I’ve seen many sarcasm marks. There’s a classic, the irony mark:
Becky is sure doing a lot for Joyce’s mental health؟
The OpenSarc, which is simply an inverted !. Nice and simple:
Becky is my favorite character¡
And there’s the SarcMark, which is both trademarked and relies on proprietary Windows-only software, so it’s sure to catch on quickly¡
My personal favorite was the Aryunuts. Start with a ℞, but instead of the x, extend the leg of the R down into a sort of U shape, and stick a stylized peanut on the end of it. It can be created with unicode tricks (although I can’t get it to work here for some reason) and it means the previous sentence should be responded to as if the speaker is crazy.
jy3
I usually go with <span class=”sarcasm”> (text goes here) </span>.
Bill
In some boards allowing HTML, the ‘s’ tag will in strikeout lettering — like this. It’s probably better to go with .
Bill
I was suggesting putting ‘sarc’ in the brackets, but this board thinks it’s a legit tag and deletes it. Dang it!
The reader still understands & the computer does what you see in the first line.
Bill
Some sites (like IMDb, where I also contribute) use the square brackets instead of the angle brackets for their HTML tags. As I continue to expand my presence on various sites and forums, I’m going to have to start keeping a notebook so I can keep track of which site(s) will allow which sorts of tags….
Kryss LaBryn
If you use italics semi-regularly on the sites in question, or share urls, it’s reasonably easy to keep track of: Do the wrong one for inserting italics/links for that site.
I’m bouncing between forums like this and LJ that use the pointy brackets, and forums that use the square ones too; that’s how I personally keep track. 🙂
Kryss LaBryn
–Actually, I realized as I hit “Submit,” these days I often just give up and go
/sarcasm
or
/rant.
The Net ignores slashes that don’t have brackets in front of them, and humans understand the coding fine without them. 😀
Smiling Cat
What I would hope for is a world where sarcasm like that doesn’t have to be pointed out. I suppose I would settle for a sarcasm tag…
“Please Sarah don’t make me do it” I mean knowing what she went through of course you’d try to protect her and do what she wants but is this the best option long term?
Really great writing here, not letting anyone have the easy way out
zmm
That.. isn’t really blackmailing at all. Thats asking for help.
The more blackmaily (but not either) moment isBecky using “I’m your best friend right?” in a small low voice. If its “you can talk to me i’m your best friend.” it wouldn’t be.. but using that tone and adding in “right” is basically pressure of “if you don’t tell me.. I don’t think you think of me as your best friend”
likely not intentional but….
neeks
I see that more as Becky reminding Joyce that she can trust Becky with emotionally volatile information.
That Damn Rat
Actually I think it’s more Becky seeking re-assurance, with that. Because if there is something Joyce is not prepared to tell her, it’s making her question whether or not she really is Joyce’s best friend any more.
Cricket
This isn’t long term, though. This is Joyce processing something that’s still extremely recent. Sometimes it takes a lot of time, support from friends, and possibly a good therapist to get to a point where you can retell an experience like that and not relive it emotionally in a painful and potentially dangerous way – that’s how it went for me, anyway. It may be a long time, possibly longer than the time frame this comic will ever cover, before Joyce feels safe enough to speak about her experience.
There can also be a sense that verbally admitting it happened to others will somehow make it more real, or reflect badly on you in some way. Joyce’s “I don’t want to even think of saying the words” really followed that theme for me. Sometimes there’s a fear that articulating it yourself will summon bad things back to you, and that if you don’t say it you can pretend everything is still okay.
redsquirrel
Now that I know chris was talking about Joyce, not Becky, my train of thought is basically this. I’ve been with people when they’ve shared their story, and they are years or months removed from the incident. Still, it was hard as hell, they were in a super safe place, and they were as vague as they needed to be.
Joyce is a few weeks removed from her trauma. This is her asking Sarah for help because she can’t even emotionally process thinking about talking about it, much less actually doing it.
Heckyeah
Exactly. One of the hardest things for people who have experienced trauma (and Joyce clearly has) is to let them know it’s okay to lean on trusted support. Sarah can be gruff, but she’s reliable and strong. I don’t see this as emotional blackmail. I see this as “I trust you. I may not always understand you, but I trust you and, right now, I need your strength.”
The thing is, Sarah strikes me as a young woman who, as she matures, will be that rock for many different people in many different situations. She’s not gentle; she’s tough, solid, and has her feet on the ground. She’s really some of the most perfect support Joyce could have in this situation. And even if she resents being pulled into the situation, I bet that deep down, Sarah understands her own importance to Joyce’s feelings of safety.
Huh. I think Sarah is now becoming one of my favorite characters.
GreyTheDefender
She’s been one of my favorites for a while for the same reason. That, and I feel like if I was in the Dumbiverse, I would have been a male version of her. The grounded character that meets all the random hilarity with “…what.”
Yet Another Laura H.
I’d just like to point out that in some corners of some churches, women are automatically assumed to be lying, exaggerating, or embellishing the truth when talking about sexual assaults of various flavors. It might be easier for her to hear what went on than to say it out loud.
…Oh, God. What if the little fistula really is a preacher’s son? If she seeks healing at a place of worship, they might run into each other. Ugh. Ugh, ugh, ugh. <<<Is the noise, may heaven help my heart to be more forgiving even of fictional characters, that that would-be rapist makes as Amber, Sal, and Mike's fists connect before Joyce delivers the literal coup de grâce.
Gangler
I feel like if this was a physical injury you wouldn’t be using that sort of rhetoric.
If she had something like a broken leg you’d understand that it’s perfectly healthy to have somebody else take out the trash for her while she recovers, because that’s difficult for her at the moment and forcing herself to do it anyway would risk exacerbating her condition.
But since the damage isn’t clearly visible you view this as her knowingly manipulating the people around her to coddle her when what she really needs is to pick herself up by her bootstraps and power through the pain until she’s better.
Exactly! This is exactly the same as a soft-tissue injury except for the brain instead of an arm or leg. You can’t really see the actual injury, you have to interpret what the injury is from the effects it has on the person.
And brain injuries are very similar, but harder to see and to separate from the emotional trauma.
And the soft tissue injuries have an annoying tendency to have lingering effects that pop back up to cause problems long after you thought they were fully healed…
chris73
It probably sounded harsher then I meant it too be and its perfectly understandable for Joyce to say/do this but (from Sarahs POV) it is quite an emotional request
*This is not a post attacking Joyce
redsquirrel
Ok, I think we just clung onto the use of the word blackmail there, cause it implies stuff like “if you don’t do this you’re a bad roomate/friend/person I like/whatever.” However, I totally get that what Joyce needs/asking for from Sarah is a pretty big thing here. I don’t want to downplay that at all either.
You two having the same avatar is hella confusing ._.
Rich
Emotional pressure might be a better phrase than blackmail. Fewer negative connotations. Interesting to note that Joyce is asking for help from Sarah here, where her previous roommate adamantly refused it. Sarah has to be seeing parallels between the two situations, but this time she can do something before everything spirals out of control.
Still, tough thing to ask. We’ll see if she’s up to it. I think she is. Sarah’s a better person than she cares to admit.
Kryss LaBryn
Actually Joyce’s perspective on the start of the night is probably is a better way to at least start the story, simply because Sarah came in at the end, so her version is gonna look like, “She was at a party. A guy roofied Joyce. I took him out with a bat right after Joyce clocked him in a face with her glass,” whereas Joyce is more likely to explain how she was invited to a party with underage drinking, way outside her comfort zone, but went along with friends and it was actually okay, she had a pop and had a pretty fun time, playing Settlers of Canaan with a group of people. She also meet up with this cute preacher’s son… At that point Sarah might be able to pick up the narrative, explaining that he kept trying to get her alone. And that he finally lost his temper and tried to grab her and force her into an empty room, which is when Joyce realized he’d drugged the pops he was bringing her. Which is when she fought back by smashing her glass across her face (cutting her hand in the process), which is when Sarah showed up. With her bat.
However, Joyce isn’t likely to want to talk about the beginning of the night even, despite it starting well, because of what it leads to. She certainly won’t want to even think about Ryan. But I do think the circumstances of how she ended up at the party in the first place, as well as how Ryan operated, is as important as the bare-bones facts of what happened, because it helps to portray how Joyce had been uncertain about the whole thing, but it seemed safe, and she even had fun, and this cute boy was interested in her. He was even a preacher’s son! She’d probably already found the husband she’d come to college looking for!
–But then it was Ryan.
–They may want to bring Dorothy along for this conversation, too. Sarah was there for the climax, but not for the build-up, and I think that’s really important to understanding the full impact of the night on Joyce.
Deanatay
Kryss, it’s unclear how much any one else besides Joyce knows about Ryan, or about how much happened at the party. Parties can be pretty chaotic places, and Dorothy was busy with her interview during the buildup to the assault. I don’t think even Billie knew about Ryan until Sarah started swinging her bat, and she (despite her drunken state) is probably the most ‘party-aware’ person there. Heck, Roz never even knew there was an assault, just that there was a fight at the party.
(s)This is, of course, why they’re such great places to assault someone.(/s)
fogel
Sarah is Joyce’s big sister. I wonder if Joyce remembers calling Sarah that. I’m sure Sarah does and accepting her as her little sister. That was one of the sweetest strips Willis has drawn, one of the ones that I remember quite specifically.
chris73
Yes you’re right, emotional pressure would have been a better choice of words
Spring
I mean, if my leg is broken, I ask someone for help me cross a freeway with tons of oncoming cars, they say no, and then I beg, that’s also emotional blackmail. I don’t think it’s downplaying Joyce’s issues, but she is forcing Sarah to do something really difficult for her.
I think calling it blackmail’s being pretty harsh on Joyce. I mean, sure it’s pretty jerk-y to push the burden on Sarah, and ultimately I think Joyce SHOULD be the one to talk about it, but doesn’t she at least get points for giving Becky permission to know?
I don’t even see anything that Joyce should really be faulted for in the first place. Joyce is making it clear that she isn’t ready to talk about what happened, to anybody. And if the victim says they aren’t ready, then they aren’t ready, as far as I’m concerned. Asking Sarah to explain instead seems perfectly reasonable, especially after Joyce explains why she’s asking this of Sarah. I don’t fault Sarah for not liking this, but she’s the only one in the room who knows the story and isn’t suffering from PTSD.
Maybe we’ll get a strip with Becky’s face as she realizes that goes from lost to “Oh, crap”
MeghanTheWorldEater
That would actually be pretty good way of doing it.
StClair
Agreed.
lomie
Most likely with a crying while hugging Joyce end panel.
Bearpelt
I actually don’t think we’ll get crying right away. Joyce is still shell-shocked, I think. I still can’t cry about any of the times I’ve been harassed, stalked, or assaulted. I wouldn’t be surprised if she didn’t cry at all.
282 thoughts on “Hint”
Jen Aside
“She played Settlers of Catan and became Queen of the Drunks.”
“NOOOOOOO NOT CATAN CURSE YOU SHEEP FOR WOOD”
Jen Aside
#sorry
#notsorry
Wire Segal
Dammit Jen, playing with my feels like that
I was trying to be all sad, but nooooooo
Deanatay
Actually, it occurs to me that Settlers may become associated with sexual violence in Joyce’s mind. That means it’s a trigger for her, now, so she cannot play it without thinking about what happened that night. That IS a tragedy.
“Wood for sheep”, indeed.
AustKyzor
There’s no apologizing for insulting the trauma faced by the Victims of Catan. Bad Jen. Go stand in the corner and think about what you’ve done.
DarkoNeko
…actually, I don’t think Sarah knows that part.
Doctor_Who
“Silly Sarah, it’s pronounced Canaan.”
Bagge
+1
Safgaftsa
http://www.catan.com/game/settlers-canaan
Safgaftsa
She only got sheep for five straight turns.
Bagge
And then… and then someone played the monopoly card…
Screwball
“I summon Dark Magician Girl?”
Dean
“A… secular boardgame?! Well, no wonder.”
Kris
Well…….awkward.
Dreadhawk177
Joyce should’ve just pulled out Deuteronomy 22:28-29 for Becky.
Smiling Cat
Ah, the good ole days when women were commodities instead of people…
(YES IT’S SARCASM!)
Deanatay
We REALLY need a sarcasm indicator for when people are typing sarcastically.
(s) I mean, it’s SO nice when people think I’m taking myself seriously. (/s)
Gamaran Sepudomyn
There is a sarcasm mark in existence, actually. It just isn’t on the keyboard.
Gamaran Sepudomyn
A normal keyboard, that is.
Today'sTheDay
I thought the mark was “(!)” after the sarcastic phrase. It seems to be on subtitles for films and TV, anyway.
Gank
I’ve seen many sarcasm marks. There’s a classic, the irony mark:
Becky is sure doing a lot for Joyce’s mental health؟
The OpenSarc, which is simply an inverted !. Nice and simple:
Becky is my favorite character¡
And there’s the SarcMark, which is both trademarked and relies on proprietary Windows-only software, so it’s sure to catch on quickly¡
My personal favorite was the Aryunuts. Start with a ℞, but instead of the x, extend the leg of the R down into a sort of U shape, and stick a stylized peanut on the end of it. It can be created with unicode tricks (although I can’t get it to work here for some reason) and it means the previous sentence should be responded to as if the speaker is crazy.
jy3
I usually go with <span class=”sarcasm”> (text goes here) </span>.
Bill
In some boards allowing HTML, the ‘s’ tag will in strikeout lettering —
like this. It’s probably better to go with .Bill
I was suggesting putting ‘sarc’ in the brackets, but this board thinks it’s a legit tag and deletes it. Dang it!
Frith Ra
Then use square brackets, thusly [/snark].
The reader still understands & the computer does what you see in the first line.
Bill
Some sites (like IMDb, where I also contribute) use the square brackets instead of the angle brackets for their HTML tags. As I continue to expand my presence on various sites and forums, I’m going to have to start keeping a notebook so I can keep track of which site(s) will allow which sorts of tags….
Kryss LaBryn
If you use italics semi-regularly on the sites in question, or share urls, it’s reasonably easy to keep track of: Do the wrong one for inserting italics/links for that site.
I’m bouncing between forums like this and LJ that use the pointy brackets, and forums that use the square ones too; that’s how I personally keep track. 🙂
Kryss LaBryn
–Actually, I realized as I hit “Submit,” these days I often just give up and go
/sarcasm
or
/rant.
The Net ignores slashes that don’t have brackets in front of them, and humans understand the coding fine without them. 😀
Smiling Cat
What I would hope for is a world where sarcasm like that doesn’t have to be pointed out. I suppose I would settle for a sarcasm tag…
Stephen Bierce
“Dem Bones Dem Bones Dem dry~y bones/Now hear the Word of the Lord”…
chris73
Whoa! I did not see the emotional blackmail coming
redsquirrel
What emotional blackmail? I’m literally not seeing what you’re talking about.
Ned
Panel 6, basically.
chris73
“Please Sarah don’t make me do it” I mean knowing what she went through of course you’d try to protect her and do what she wants but is this the best option long term?
Really great writing here, not letting anyone have the easy way out
zmm
That.. isn’t really blackmailing at all. Thats asking for help.
The more blackmaily (but not either) moment isBecky using “I’m your best friend right?” in a small low voice. If its “you can talk to me i’m your best friend.” it wouldn’t be.. but using that tone and adding in “right” is basically pressure of “if you don’t tell me.. I don’t think you think of me as your best friend”
likely not intentional but….
neeks
I see that more as Becky reminding Joyce that she can trust Becky with emotionally volatile information.
That Damn Rat
Actually I think it’s more Becky seeking re-assurance, with that. Because if there is something Joyce is not prepared to tell her, it’s making her question whether or not she really is Joyce’s best friend any more.
Cricket
This isn’t long term, though. This is Joyce processing something that’s still extremely recent. Sometimes it takes a lot of time, support from friends, and possibly a good therapist to get to a point where you can retell an experience like that and not relive it emotionally in a painful and potentially dangerous way – that’s how it went for me, anyway. It may be a long time, possibly longer than the time frame this comic will ever cover, before Joyce feels safe enough to speak about her experience.
There can also be a sense that verbally admitting it happened to others will somehow make it more real, or reflect badly on you in some way. Joyce’s “I don’t want to even think of saying the words” really followed that theme for me. Sometimes there’s a fear that articulating it yourself will summon bad things back to you, and that if you don’t say it you can pretend everything is still okay.
redsquirrel
Now that I know chris was talking about Joyce, not Becky, my train of thought is basically this. I’ve been with people when they’ve shared their story, and they are years or months removed from the incident. Still, it was hard as hell, they were in a super safe place, and they were as vague as they needed to be.
Joyce is a few weeks removed from her trauma. This is her asking Sarah for help because she can’t even emotionally process thinking about talking about it, much less actually doing it.
Heckyeah
Exactly. One of the hardest things for people who have experienced trauma (and Joyce clearly has) is to let them know it’s okay to lean on trusted support. Sarah can be gruff, but she’s reliable and strong. I don’t see this as emotional blackmail. I see this as “I trust you. I may not always understand you, but I trust you and, right now, I need your strength.”
The thing is, Sarah strikes me as a young woman who, as she matures, will be that rock for many different people in many different situations. She’s not gentle; she’s tough, solid, and has her feet on the ground. She’s really some of the most perfect support Joyce could have in this situation. And even if she resents being pulled into the situation, I bet that deep down, Sarah understands her own importance to Joyce’s feelings of safety.
Huh. I think Sarah is now becoming one of my favorite characters.
GreyTheDefender
She’s been one of my favorites for a while for the same reason. That, and I feel like if I was in the Dumbiverse, I would have been a male version of her. The grounded character that meets all the random hilarity with “…what.”
Yet Another Laura H.
I’d just like to point out that in some corners of some churches, women are automatically assumed to be lying, exaggerating, or embellishing the truth when talking about sexual assaults of various flavors. It might be easier for her to hear what went on than to say it out loud.
…Oh, God. What if the little fistula really is a preacher’s son? If she seeks healing at a place of worship, they might run into each other. Ugh. Ugh, ugh, ugh. <<<Is the noise, may heaven help my heart to be more forgiving even of fictional characters, that that would-be rapist makes as Amber, Sal, and Mike's fists connect before Joyce delivers the literal coup de grâce.
Gangler
I feel like if this was a physical injury you wouldn’t be using that sort of rhetoric.
If she had something like a broken leg you’d understand that it’s perfectly healthy to have somebody else take out the trash for her while she recovers, because that’s difficult for her at the moment and forcing herself to do it anyway would risk exacerbating her condition.
But since the damage isn’t clearly visible you view this as her knowingly manipulating the people around her to coddle her when what she really needs is to pick herself up by her bootstraps and power through the pain until she’s better.
Forgive me if I’ve misinterpreted you.
Opus the Poet
Exactly! This is exactly the same as a soft-tissue injury except for the brain instead of an arm or leg. You can’t really see the actual injury, you have to interpret what the injury is from the effects it has on the person.
And brain injuries are very similar, but harder to see and to separate from the emotional trauma.
John
And the soft tissue injuries have an annoying tendency to have lingering effects that pop back up to cause problems long after you thought they were fully healed…
chris73
It probably sounded harsher then I meant it too be and its perfectly understandable for Joyce to say/do this but (from Sarahs POV) it is quite an emotional request
*This is not a post attacking Joyce
redsquirrel
Ok, I think we just clung onto the use of the word blackmail there, cause it implies stuff like “if you don’t do this you’re a bad roomate/friend/person I like/whatever.” However, I totally get that what Joyce needs/asking for from Sarah is a pretty big thing here. I don’t want to downplay that at all either.
DarkoNeko
You two having the same avatar is hella confusing ._.
Rich
Emotional pressure might be a better phrase than blackmail. Fewer negative connotations. Interesting to note that Joyce is asking for help from Sarah here, where her previous roommate adamantly refused it. Sarah has to be seeing parallels between the two situations, but this time she can do something before everything spirals out of control.
Still, tough thing to ask. We’ll see if she’s up to it. I think she is. Sarah’s a better person than she cares to admit.
Kryss LaBryn
Actually Joyce’s perspective on the start of the night is probably is a better way to at least start the story, simply because Sarah came in at the end, so her version is gonna look like, “She was at a party. A guy roofied Joyce. I took him out with a bat right after Joyce clocked him in a face with her glass,” whereas Joyce is more likely to explain how she was invited to a party with underage drinking, way outside her comfort zone, but went along with friends and it was actually okay, she had a pop and had a pretty fun time, playing Settlers of Canaan with a group of people. She also meet up with this cute preacher’s son… At that point Sarah might be able to pick up the narrative, explaining that he kept trying to get her alone. And that he finally lost his temper and tried to grab her and force her into an empty room, which is when Joyce realized he’d drugged the pops he was bringing her. Which is when she fought back by smashing her glass across her face (cutting her hand in the process), which is when Sarah showed up. With her bat.
However, Joyce isn’t likely to want to talk about the beginning of the night even, despite it starting well, because of what it leads to. She certainly won’t want to even think about Ryan. But I do think the circumstances of how she ended up at the party in the first place, as well as how Ryan operated, is as important as the bare-bones facts of what happened, because it helps to portray how Joyce had been uncertain about the whole thing, but it seemed safe, and she even had fun, and this cute boy was interested in her. He was even a preacher’s son! She’d probably already found the husband she’d come to college looking for!
–But then it was Ryan.
–They may want to bring Dorothy along for this conversation, too. Sarah was there for the climax, but not for the build-up, and I think that’s really important to understanding the full impact of the night on Joyce.
Deanatay
Kryss, it’s unclear how much any one else besides Joyce knows about Ryan, or about how much happened at the party. Parties can be pretty chaotic places, and Dorothy was busy with her interview during the buildup to the assault. I don’t think even Billie knew about Ryan until Sarah started swinging her bat, and she (despite her drunken state) is probably the most ‘party-aware’ person there. Heck, Roz never even knew there was an assault, just that there was a fight at the party.
(s)This is, of course, why they’re such great places to assault someone.(/s)
fogel
Sarah is Joyce’s big sister. I wonder if Joyce remembers calling Sarah that. I’m sure Sarah does and accepting her as her little sister. That was one of the sweetest strips Willis has drawn, one of the ones that I remember quite specifically.
chris73
Yes you’re right, emotional pressure would have been a better choice of words
Spring
I mean, if my leg is broken, I ask someone for help me cross a freeway with tons of oncoming cars, they say no, and then I beg, that’s also emotional blackmail. I don’t think it’s downplaying Joyce’s issues, but she is forcing Sarah to do something really difficult for her.
brumagem
I think calling it blackmail’s being pretty harsh on Joyce. I mean, sure it’s pretty jerk-y to push the burden on Sarah, and ultimately I think Joyce SHOULD be the one to talk about it, but doesn’t she at least get points for giving Becky permission to know?
Rycan
I don’t even see anything that Joyce should really be faulted for in the first place. Joyce is making it clear that she isn’t ready to talk about what happened, to anybody. And if the victim says they aren’t ready, then they aren’t ready, as far as I’m concerned. Asking Sarah to explain instead seems perfectly reasonable, especially after Joyce explains why she’s asking this of Sarah. I don’t fault Sarah for not liking this, but she’s the only one in the room who knows the story and isn’t suffering from PTSD.
SonicBlueRanger
Wow can there seriously not be one strip without a victim blaming thread?
chris73
Its not a victim blaming thread nor a post attacking Joyce, I used a poor choice of words.
Replace blackmail with pressure
Taigan
Good Sherlocking Becky to connect it to the bloody sweater so quickly.
(and it took me way too many attempts before my computer stopped auto-correcting that to “shellacking.”)
Mr k
She’ll think that Joyce is a serial killer soon enough.
Clif
Sh! Spoilers.
Safgaftsa
Shellacking: (informal) to beat someone decisively.
That seems more like Sarah’s role at parties than Becky’s.
fogel
Well, Shellacking really was a much better detective than Sherlock. Spellwrecker knows all!!!
Dreadhawk177
“Sarah used her bat.”
Mr k
“Wow, I didn’t know she played softball”
Dreadhawk177
Depends where she hits..
B.D
“It was Super Effective.”
(Oh god I’m horrible.)
otusasio451
Expositionbomb incoming in 5…4…3…
sps48
It’ll probably be offscreen
OwenSohmer
Maybe we’ll get a strip with Becky’s face as she realizes that goes from lost to “Oh, crap”
MeghanTheWorldEater
That would actually be pretty good way of doing it.
StClair
Agreed.
lomie
Most likely with a crying while hugging Joyce end panel.
Bearpelt
I actually don’t think we’ll get crying right away. Joyce is still shell-shocked, I think. I still can’t cry about any of the times I’ve been harassed, stalked, or assaulted. I wouldn’t be surprised if she didn’t cry at all.