but like if you talkin about those TikTok videos where they put like, marshmellow sauce on barely cooked steak, those are so fucking cringe
Aura
Both comments are quotes from the good place 🙂 This is the scene Dante was quoting, but you have to kind of have watched all of it up to that point to get the context https://www.youtube.com/watch?v=2c-AawAKZ14
Aura
PS The Good Place is an excellent show and I love it so much everyone should watch it ok that’s it the end goodbye
Tan
The Good Place is so forking good. It knows exactly what it wants to be, and lasts exactly long enough to be that without trying to milk itself into perpetuity. It is funny, and it is heartful, and it is worth every moment. Strongest recommend.
Because Sal implausibly broke a speed running record, this is the point at which the comic has become unsalvageable? Like, don’t get me wrong, sometimes there are things I disagree with in the comic (the whole laundry machine thing could have and should have been handled better imo, but ai’ve harped on it enough and accepted it), but like…
Evil dads, mafia killings, superheroes, etc. and THIS is what breaks suspension of belief so irreparably that the entire comic needs to be thrown out? I know speed-running is serious to many people, but this is kinda just Sal pulling a Forrest Gump for gamers.
Well, there were things before, but yes. This is the straw that broke the camel’s back. The others weren’t related to suspension of disbelief, but writing. Which, well, this is too. It’s just lazy.
HueSatLight
bye
Chris Phoenix
This comic has literally-impossible things all through it. When Amber ziplined along a wire by hanging from a pair of bolt cutters? Way, way too much friction in real life. That was years ago, but I remember it because it was just physically impossible.
So, either get used to Willis putting impossible things into the comic to move the story along, or find a different author.
aelfwine
You can have things being literally impossible, like people teleporting, as a gag.
You can have the impossibility subtle enough that most people don’t notice, like bolt-cutter fiction, in plot elements too minor to care about, and which nobody in the story focuses on.
But here we’re supposed to care about Dororthy being frustrated at Sal doing the impossible, and yet not feel frustrated ourselves at the same impossibility in a story arc that supposedly takes this plot point seriously enough as an instigator of important characterization for Amber?
That’s like Joyce going back to Jesus because her teleportation abilities prove miracles happen. If something impossible is a gag, keep it a gag, don’t make it a crucial plot point.
TerribleTransit
This is basically the uncanny valley of impossibility. It’s clearly not a gag, nor does it skate by on the rule of cool in an action scene. It’s so closeto possible, but a large portion of the reader base is familiar, at least possibly, with just how impossible it is. Ziplining down a cable on bolt cutters might but work, but you don’t have an entire body of semi-popular media devoted to explaining why it won’t work.
Strain of Thought
Describing things that shake suspension of disbelief like this as being part of the “uncanny valley” phenomenon is really clever, I never thought of them in those terms before. I used to be really into science fiction and I was very consciously and deliberately willing to accept all kinds of bullshit made up about how alien biology and space travel worked but then when the writer would put a computer in the story and give it impossible nonsense traits it would drive me up the wall. You can make up stuff about aliens and FTL because those don’t exist in real life, you can’t strictly get it *wrong*, but computers are very real and all around us so if they misuse concepts like “networking” or “viruses” or using stupidly big or small units data storage it just shatters suspension of disbelief.
I just never thought to generalize that idea to acceptable breaks from reality in all fiction, that as breaks from reality move towards more concrete, real world, familiar and everyday things they are unconsciously subjected to higher scrutiny by the reader even if the reader isn’t choosing to, and so there’s a sudden dip in plausibility when stuff gets *almost* perfectly realistic, the same as we get creeped out by almost-but-not-quite-perfect imitations of common everyday things. Of course this depends significantly on the audience’s background as to what everyday familiarity means for them, but yeah David Willis the terminally online comic artist making a comic for a terminally online audience is gonna struggle to pull off his usual reality-defying comedy when he makes the jokes about real universally played video games.
I haven’t seen anyone talk about it in the comments since the early days of Dumbing of Age but I think one of Willis’s biggest issues with doing a mundane reboot of the Walkyverse is the handful of characters for whom their super powers were an integral part of their personalities- particularly Sal, Mike, and Robin. Sal without super powers just doesn’t make sense as a human being, because abusing her ridiculous levels of strength and agility were how she coped with the ridiculous degree of psychological abuse and other horrifying hardship she endured. Her super powers are load bearing in her day to day pattern of behavior. Willis had to keep writing her climbing in windows even if she can’t leap twelve feet in the air or be only lightly bruised from slipping and falling from a second story because making her own entrances and exits was essential to her personal brand of petty defiance of authority in the face of ironic existential powerlessness. In the Walkyverse Sal wasn’t a Mary Sue because so much awful stupid shit happened to her, her excessive power levels didn’t allow her to really *accomplish* anything in the face of super powered threats, and her being one of the strongest supers still didn’t actually put her that much further ahead of everyone else around her- if anything there she was some sort of perpetual victim of ironic fate. So yeah, it’s hard to imagine a way to write someone like that without super powers while still being recognizable as themselves.
431 thoughts on “Grazed”
NGPZ
Tetris also works for that.
Video games are drugs and im a cook (:p)
also congratz on 7-month buffer again Willis! ^^
*plays “Sanctuary Guardian” from Earthbound Sountrack on hacked muzak*
True Survivor
“Alexey, we need to cook.” – Vadim Gerasimov
(yes I know those two individuals should be inverted, but it sounds better this way)
NGPZ
Speak of the devil,
and BLAZE IT!!!! ??
420 comments brothaz!!!!! ^^
Ana Chronistic
reality bores Sal but she hasn’t quite mastered Shion’s Reality Warping power, so she breaks game realities
cmd1095
So I need fanart of Sal in Shion’s outfit now, complete with the sword
Slartibeast Button, BIA
Maybe she needs to join a club with a time traveler, an esper, and an alien witch?
nobodybasically
Does that make Danny Kyon?
Smallmoon
No, Danny is John Smith. 😛
BarerMender
Esper! I haven’t heard that term since, like, 1962.
clif
Sh. There are youngsters present.
BarerMender
Oops. Beg pardon.
Taffy
That’s weird, I hear it so much I hate it now. Anime ruins everything.
BarerMender
I remember it from the A.E. van Vogt novel _Slan_ Don’t look it up. Awful. Even though I loved it when I was 13.
butts
clearly amber has been reading the comments section
Svankensen
And she’s right too.
Groove
I’m assuming this is a prank on Amber at this point .
butting
Amazi-Girl’s superpower: breaking the laws of physics
Amber’s superpower: breaking the fourth wall
(and when Amazi-Girl complains about the slash-fic anthology in her head? that’s Amber, coming for YOU)
IntangibleMatter
I can never tell if Amber is medium-aware or just terminally online.
Is it both? It’s probably both.
butts
i think this is just her slashfic brain
Dante
Nay, my friend. This, too, is yuri.
DailyBrad
Terminally online, though it does allow for medium awareness to a degree.
RassilonTDavros
Third possibility: the nature of the Dumbiverse is such that sufficiently-advanced terminal-onlineness is indistinguishable from medium awareness.
IntangibleMatter
Abed Nadir
MM
You’d think Walky would have a better handle on things if that were the case.
Proto
Definitely the latter, but when you live in a soap opera world, memorizing TV Tropes basically makes you medium-aware by accident
Needfuldoer
Both. Both is good.
Lokitsu
Is medium-awareness rare?
Needfuldoer
Awareness is best cooked medium-rare.
TerribleTransit
Well-done medium awareness is rare.
S.R.
Honestly, it’s a pretty apt comparison.
Animedingo
Mary will prolly get sued at some point
Throwatron
I mean, she’ll DEFINITELY sue somebody at some point.
PedanticJerkass
*probably
wwwhhattt
*problees
Taffy
*premium unleaded
PhyrexianRogue
Or marry a girl called Sue?
staszu13
My name is Sue, how do you do, now you’re gonna die!
(Johnny Cash/Shel Silverstein ref)
TlalocW
Surely, you can’t be serious.
Bobbi
I am serious… and don’t call me Shirley
morhek
Now Amber, slurs are beneath you.
BBCC
I died laughing at these two and at how well Willis knows his comment section. Y’all are speaking to my ghost now.
(It’s okay, at some point something really cool will happen or Linda will show up and need to be yelled at and I’ll claw my way out of the grave).
DailyBrad
Willis has been doing webcomics for longer than some of the readership has been born. Of course they know how the comments are going to play out.
staszu13
Indeed, some of us have waited nearly 30 years for Danny and Sal to f**k, since the Roomies days
Needfuldoer
Pressing F to pay respects.
F o7
eh, whatever
You’ll get better.
Grimey
Not the insult I expected.
VolticEXE
Y’know, if we put the Yellow Strip back on her, its like nothing changed at all.
NGPZ
I am half convinced those are the Kamui from Kill La Kill
Tan
It’s an internet insult. It’s devastating. You’re devastated right now.
Dante
Amber, when she put peeps in the chili pot (and adds the M/Ms)
NGPZ
ngl i sometimes use candy like that to substitute sugar in tomato based recipes
(one of my friends said she uses Mexican chocolate in one of her tomato soup recipes, but i kinda forgor)
NGPZ
but like if you talkin about those TikTok videos where they put like, marshmellow sauce on barely cooked steak, those are so fucking cringe
Aura
Both comments are quotes from the good place 🙂 This is the scene Dante was quoting, but you have to kind of have watched all of it up to that point to get the context
https://www.youtube.com/watch?v=2c-AawAKZ14
Aura
PS The Good Place is an excellent show and I love it so much everyone should watch it ok that’s it the end goodbye
Tan
The Good Place is so forking good. It knows exactly what it wants to be, and lasts exactly long enough to be that without trying to milk itself into perpetuity. It is funny, and it is heartful, and it is worth every moment. Strongest recommend.
lur
those are worse than cringe, actually, those are fetish content
Taffy
Marshmallow on steak fetish?
NGPZ
fetish content?
oooh, is this what earthlings refer to as “food porn” ?
Taffy
No no, that’s the meals in anything by Studio Ghibli.
jeffepp
Worse. It’s a 1970s Star Trek Fandom Nerd Zene FanFic slur.
Taffy
The most specific kind of slur.
june gloom
I just saw that episode last night, lmao.
Svankensen
Next book she will break the olympic marathon record accidentally while jogging. But I will be spared because I’ll not be reading this comic anymore.
Bittersweet
Because Sal implausibly broke a speed running record, this is the point at which the comic has become unsalvageable? Like, don’t get me wrong, sometimes there are things I disagree with in the comic (the whole laundry machine thing could have and should have been handled better imo, but ai’ve harped on it enough and accepted it), but like…
Evil dads, mafia killings, superheroes, etc. and THIS is what breaks suspension of belief so irreparably that the entire comic needs to be thrown out? I know speed-running is serious to many people, but this is kinda just Sal pulling a Forrest Gump for gamers.
Svankensen
Well, there were things before, but yes. This is the straw that broke the camel’s back. The others weren’t related to suspension of disbelief, but writing. Which, well, this is too. It’s just lazy.
HueSatLight
bye
Chris Phoenix
This comic has literally-impossible things all through it. When Amber ziplined along a wire by hanging from a pair of bolt cutters? Way, way too much friction in real life. That was years ago, but I remember it because it was just physically impossible.
So, either get used to Willis putting impossible things into the comic to move the story along, or find a different author.
aelfwine
You can have things being literally impossible, like people teleporting, as a gag.
You can have the impossibility subtle enough that most people don’t notice, like bolt-cutter fiction, in plot elements too minor to care about, and which nobody in the story focuses on.
But here we’re supposed to care about Dororthy being frustrated at Sal doing the impossible, and yet not feel frustrated ourselves at the same impossibility in a story arc that supposedly takes this plot point seriously enough as an instigator of important characterization for Amber?
That’s like Joyce going back to Jesus because her teleportation abilities prove miracles happen. If something impossible is a gag, keep it a gag, don’t make it a crucial plot point.
TerribleTransit
This is basically the uncanny valley of impossibility. It’s clearly not a gag, nor does it skate by on the rule of cool in an action scene. It’s so closeto possible, but a large portion of the reader base is familiar, at least possibly, with just how impossible it is. Ziplining down a cable on bolt cutters might but work, but you don’t have an entire body of semi-popular media devoted to explaining why it won’t work.
Strain of Thought
Describing things that shake suspension of disbelief like this as being part of the “uncanny valley” phenomenon is really clever, I never thought of them in those terms before. I used to be really into science fiction and I was very consciously and deliberately willing to accept all kinds of bullshit made up about how alien biology and space travel worked but then when the writer would put a computer in the story and give it impossible nonsense traits it would drive me up the wall. You can make up stuff about aliens and FTL because those don’t exist in real life, you can’t strictly get it *wrong*, but computers are very real and all around us so if they misuse concepts like “networking” or “viruses” or using stupidly big or small units data storage it just shatters suspension of disbelief.
I just never thought to generalize that idea to acceptable breaks from reality in all fiction, that as breaks from reality move towards more concrete, real world, familiar and everyday things they are unconsciously subjected to higher scrutiny by the reader even if the reader isn’t choosing to, and so there’s a sudden dip in plausibility when stuff gets *almost* perfectly realistic, the same as we get creeped out by almost-but-not-quite-perfect imitations of common everyday things. Of course this depends significantly on the audience’s background as to what everyday familiarity means for them, but yeah David Willis the terminally online comic artist making a comic for a terminally online audience is gonna struggle to pull off his usual reality-defying comedy when he makes the jokes about real universally played video games.
I haven’t seen anyone talk about it in the comments since the early days of Dumbing of Age but I think one of Willis’s biggest issues with doing a mundane reboot of the Walkyverse is the handful of characters for whom their super powers were an integral part of their personalities- particularly Sal, Mike, and Robin. Sal without super powers just doesn’t make sense as a human being, because abusing her ridiculous levels of strength and agility were how she coped with the ridiculous degree of psychological abuse and other horrifying hardship she endured. Her super powers are load bearing in her day to day pattern of behavior. Willis had to keep writing her climbing in windows even if she can’t leap twelve feet in the air or be only lightly bruised from slipping and falling from a second story because making her own entrances and exits was essential to her personal brand of petty defiance of authority in the face of ironic existential powerlessness. In the Walkyverse Sal wasn’t a Mary Sue because so much awful stupid shit happened to her, her excessive power levels didn’t allow her to really *accomplish* anything in the face of super powered threats, and her being one of the strongest supers still didn’t actually put her that much further ahead of everyone else around her- if anything there she was some sort of perpetual victim of ironic fate. So yeah, it’s hard to imagine a way to write someone like that without super powers while still being recognizable as themselves.
zee
☝️?
Kyrik Michalowski